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For Sale 2000 Tokai LS-320 VF & original case

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decided to keep this one around, at least for the foreseeable future :D

don't play it much at all, it's a bit over my weight preference and the neck thickness is quite slim for my tastes but the sonic signature of these unpotted Alnico 2 Seth Lover pickups is unlike any guitar in my collection (y)
 
I don't keep any guitars that I don't play regularly ;)
I currently own right at 40 guitars; I can only play one at a time

some folks collect, some play; I do both

some folks get hung up on price; I don't

it's a good thing people are all different because if we were all the same the world would be quite boring

we're all glad you're different; me included .......
 
I have more guitars than I play. They seem to suit different moods and sometimes it takes years for me to be in that mood again. When I am it is nice to still be able to grab that guitar. I have sold quite a few of those that I wish that I had back when the mood strikes me. Some guitars are just like that. In fact, I got that feeling just looking at some of the Staffords you have Homer. Even though I have never played one. They look amazing. Especially the FES and FGC models

Kurosawa and Terada

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I have more guitars than I play. They seem to suit different moods and sometimes it takes years for me to be in that mood again. When I am it is nice to still be able to grab that guitar. I have sold quite a few of those that I wish that I had back when the mood strikes me.

When I was 11 years old I joined the orchestra class but I joined two weeks after all of the other students started. I've been late to every party for my entire life. LOL
The class instructor asked what instrument I wanted to learn and I replied, "I would like to learn to play the violin." The instructor said, "we all ready have all of these students learning violin; how about cello?"
So, reluctantly I agreed to play cello. All of the instruments were provided by the school district and there were at least half a dozen cellos but they were all different. There was one particular cello that was pretty much 'better' sounding than all of the others and I some how managed to be matched with that instrument for the entire school year.

A very similar scenario occurred the following three school years at my junior high school. One cello of about 10 cellos available had a sonic edge to it and it played fantastic; it just had that something extra, or as we say in Louisiana, lagniappe. It was so much different than the other available cellos and again I luckily was matched with it for three years.

Guitars can be that way also but IMO guitars are quite a different animal than a cello. For one thing I never brought a cello home from school to practice at home as cellos are too large IMO to be carting around. If I could have played violin I would have brought one home every day and then I could have driven my parents and my siblings nutty. :D Besides all that cellos are all quite similar where as guitars can be quite dissimilar. Guitars are a lot more fun than cellos and way cooler. At age 15 I gave up four years of playing cello and I returned to playing guitar. It was the right move at the right time.

Some guitars have one or two things other guitars don't have, other guitars have a lot of things that other guitars don't have but they are all different. For guitar collectors that like to play and for guitar players that like to collect it's nice to have such a wide variety of guitars to choose from. I started learning guitar at age 9 and all I wanted to do was to play guitar. As time has gone by over the decades I also became interested in collecting. Guitars do suit different moods and guitars also suit different playing styles. I own a couple of Teles and I don't ever recall playing any Michael Schenker or UFO tunes on my Teles; I guess I could start? :ROFLMAO:
 
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Back on the market

No asking price listed .......... serious offers considered for what is now a quite rare LS-320

I have references (many years selling on eBay & Reverb) ....... just ask ;)
 
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I know you don’t want to say the price, but without that information, I don’t even know where to begin.
 
I know you don’t want to say the price, but without that information, I don’t even know where to begin.

I think I covered quite a bit in the OP so, you could possibly refer to the verbiage there and understand there are multiple reasons why an asking price isn't posted.
I understand the potential for a seriously interested party/buyer for such an example isn't that likely but then most anything is possible.

These don't pop up for sale every day but they do show up here and there.

Here is a claimed 2002 LS-320 on Reverb, listed 2 months ago, with an asking price of $4375.
https://reverb.com/item/83290603-tokai-ls-320-2002-burst-violin-finish
It is stating that the pickups are changed and that it has been re-fretted.
I can only assume it is a LS-320 but I haven't looked into it.
Looks like it has had one offer.
 
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I agree with Jacob that prices can be all over the place and that's with any item for sale, guitars or otherwise but LS-320 examples are not just the normal, run of the mill guitar.

Even though cataloged the LS-320 is an 'order only' guitar and as such these were most likely not typically made unless a paying buyer requested one and how long did the buyer wait for one to be delivered after an order?

The lumbers utilized for these builds are also not the average run of the mill species and some of the lumber species are now becoming much less available.

Some sellers are flipping guitars nearly as quick as they obtain them, LS-320s included and then some sellers such as myself have had LS-320 examples in hand for 16 plus years.

The example I offered is a circa 2000 example but it wasn't sold until 2006 as exhibited by the original sale date on the warranty card, yet it remains in original condition with nothing changed except strings.

My suspicion is the LS-320 example I have may have been ordered by the original buyer (Big Boss Freaks Market) as a curiosity and/or possibly a store demo. This is purely speculation but I have often wondered why would a circa 2000 example not be originally sold until late 2006? Who knows?
There were less that two years passed between the original sale date showing on the warranty card of this example and the time that it landed in my hands, it has had a very good home with me for over 16 years and it is in basically the very same condition now as when I purchased it.

Every item for sale has a different history and story behind it and there will always be differing variables involved.
I have flipped guitars over the years but the LS-320 isn't just any run of the mill guitar; at least this one isn't.

If someone is seriously interested in the guitar there is the possibility to work a deal but then if that never happens I'm certainly OK with that too. :)
 
I am still trying to find an LS-1 R9. The prices for the LSA320s are all over the place.

thanks for bumping the thread, again :D

AFA the LS-1 R9 examples, those will be difficult to source so, good luck.
Faber had three of those listed on their web site, all listed at 2950 Euro but all are showing as "sold out."
At the current exchange rate 2950 Euro would be right at $3,270 USD.
Odd thing about the LS-1 R9 are the lumber common names, African Mahogany and Rosewood so, no Honduran hog and no Brazilian.
Not very nice specs for a $3,270 price point guitar, at least IMO.

I guess the price of quarter century old LS-320s with what could now be considered 'old wood' Honduran and Braz just went up? :eek:

Cheers ............
 
No detail pictures, no word about CITES papers and if I understood that right the seller wants you to pick it up in Italy so that won't be his problem anyway. Sounds like some adventure...:)
 

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