Shilka said:I like them, have tried on a Tokai with great result.
Perfect for AC/DC crunch imho.
They are not mellow sounding on the bridge, got balls !
Try to find before 2004 ones.
jyster said:I replaced my stock MKII pickups with burstbucker pros last week. Gigged them on Saturday and love them.
Can get a great crunch from them if that's what you're after, to good old dirty.
jyster said:AC/DC(shouldn't you get an SG?).
jyster said:Probably should have mentioned about feedback. I can now have a very high gain setting and have no feedback problem.
jyster said:Don't know why the Gibson buyers are getting rid of them, but I bought mine from ebay, 1 month old, for ?78 delivered. . For that price I don't care why they are getting rid of them.
Momo said:I tried the burstbuckers out a while ago but found them just a little bit too microphonic,
Momo said:For a ball park AC/DC thing have you tried the Gibson classic 57s ? I was recently doing some promo stuff with a young blues/rock band and the guitarist used a 90s Tokai SG fitted with a set of 57s and it sounded nice and crunchy and very 'Angus' to my ears.
Momo said:I tend to go straight to the amp (Fender 5e3 Deluxe Clone or Marshall 1974x Combo) and I've been impressed by the way the S/D 59's respond to 'guitar pot' tonal adjustments and although they're not high power units they do have quite a lot of body and grit when you dig in hard, again I'm not 100% sure if they're potted or not but judging by the lack of squeal I think they probably are...they work fine for me anyway.
stumble said:For classic '70s style rock tone I think your best bet are vintage output, potted Alnico II types, e.g. Gibson Classic 57/+, Duncan Alnico II Pro, Seth Lover, Pearly Gates and so on.
Most of the Burstbuckers I've played were microphonic as hell (uncontrollable squealing as opposed to harmonic feedback), worst were the BB Pros in my '03 Std. Put in some Pearly Gates and this thing rocks now.
Check out my recent little PU shootout for more detail, I'll probably put those in my ES-120, too.
Cheers,
stumble
ganzua said:Hi Stumble;
BB1&2 are alnico II. BBPros are alnico V. Anyway, I don't want microphonic sound at all
stumble said:do your own testing, between your friends and the music shops in your area you should be able to try a variety of PUs.
Good luck and have fun,
stumble
stumble said:For classic '70s style rock tone I think your best bet are vintage output, potted Alnico II types, e.g. Gibson Classic 57/+, Duncan Alnico II Pro, Seth Lover, Pearly Gates and so on.
Sure, anytime, at least if I have to buy them untested.ganzua said:Yesterday I listened samples of this three; Duncan Alnico II Pro, Seth Lover, Pearly Gates on the Seymour Duncan web.
I liked best Duncan Alnico II Pro. If I'm not wrong these are the pick ups that Slash uses. I always thought that the sound he gets from his les pauls is more modern than the 70s classic rock.
Do you prefer Gibson Classic 57 over BB1&2?
ganzua said:Yesterday I listened samples of this three; Duncan Alnico II Pro, Seth Lover, Pearly Gates on the Seymour Duncan web
stumble said:The 57s I've played all were decent, none was microphonic. They do vary considerably in impedance though, I've seen between 7.6k and almost 9k.
No problem, the louder one goes to the bridge. 8)
With SD it's a lot more consistent.
Alnico II Pro are mellower, Pearly Gates have more bite, else they are rather similar.
tudor said:don't forget WCR pups ... I have a Fillmore set in my Gibbo Classic which sounds so beautiful ... tone to die for ... and a set of Godwoods coming across the pond ...
BTW - the Robertson 'MarkBuckers' in my Eddie solved a big problem for me too ... tremendous sound, unpotted - at a reasonable price ...
Very, very close to the Fillmores ...
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