1980s 1981 Vol. 4 Flat Top Series Catalog Hi Res Images

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Sigmania

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I just got a copy of the 1981 Flat Top Series catalog.

It is actually a fold out poster with 16 pages essentially.

I scanned it because the versions on line are blurry.

My hope is to eventually get all of this text translated.

Here are the images.

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Google translation (not perfect):

Neck: The wide neck of the original Broadcaster, that is, the following two types based on the maple 1 piece neck.

48 Vintage model: Broadcaster material announced in 1948 Perfect neck head stock faithfully replicated as it is: Elegant closhan head with silver type.

The logo mark and the old Kluson type pegs show outstanding contrast and are dignified and really tasty. It has a nice peg head feeling. Also, as you can see from the back of the head stock, from the nut to the head. The line to the do is curved quite sharply. This is a correct reproduction of the original, and this curve is strong. The secret that creates a lot of tension and creates that crystal and funky old Tele sound. That's why. The string guide also has one round string guide at the exact same position as the '48 broadcaster. It's simple. Please compare it with other models along with the position of the logo.

Neck: Maple. There are two types of necks, V-shape and U-shape. V shape is ST series It's quite familiar, but it's a super original shape pro smooth that doesn't get tired of long play. Compete with the U-shape neck, which boasts a great playability, and its abilities. 12th fret. The Jishon mark also receives the original and the interval is narrow. It is these detailed considerations Is the source that conveys the original feeling as it is.

Perfect that is characteristic of the Flecking Tokai series. Flecking doesn't need to be explained anymore. For craftsmen, a groove that matches the fret tag with excellent sound transmission For edge treatment, specially adjusted iron core that withstands string tension and prevents warping, etc. The plan is perfect. Experience the smooth fingering and outstanding ease of playing that fits perfectly in your hand. I want you to.

64-Oldy model: This is a maple neck with a laminated rose fingerboard. Like the ST series 64 Oldy model, there is a black line on the back of the head and the back of the neck. No, it's a so-called rose neck made of exactly the same material as the original. Mania-like guitar freak. This is the best spec to give to Ku.

Headstock
: The position of the Tokai logo that shines in silver. Please pay attention to the shape of the string guide. This is a perfect reproduction of the feeling of the 1960s. It's a closhan head full of old-fashioned feeling. Tokai Kluson type peg is mounted on this If it is done, there will be no more. Of course, the tension that is the key to the old Tele sound is perfect and deep. It goes without saying that the curved old type closhan head has a secret.

Neck & Fretting. '48 Like the Vintage model, there are two types of fretting, the original V shape and the U shape. Perfect. I want you to try it first and realize its outstanding playability. Rose finger. The laminating method of the handle uses the round fingerboard that is completely familiar to the ST series. Acoustic characteristics, Rosesen is a leader in the sound scene, with outstanding effects and precision in all strengths. It's a sation.

Body: Body processing is also the highlight of Tokai's technology. Play an inexhaustible role. The computer-controlled "NCI router" is a perfect replica of the original. See the neck joint The delicate finish and the hole processing of the pickup & control circuit part are just divine. Also, the previous Telecaster has a center hole for wiring that runs from the front pickup to the lower right, Like the original, the TE series has a minimum of fine holes made from the inside of the body and is delicate. It is a detail finish that also takes into consideration the di-vibration. And further flatten the jack mounting part. Fine finish. This eliminates the floating and improper installation of the jack plate. Perfectly so far. The replica body is also a special spec unique to the Tokai TE series that can never be seen anywhere else. The di shape is a restoration of the 48 broadcaster body. The material is also alder and auction.

Peg: Tokai Kluson type pegs that need not be explained anymore. Precision, peg shape. It is Tokai's self-confidence work that transcends the original with an outstanding feeling. Adopted for all TE series models for. It promises accurate and stable tuning.

Pickup: Pick, the source of The Terry Sound Two types <TE Vintage> and <TE Hot> are available for up.

TE Vintage. Bright. The sharp sound truly symbolizes the American sound and the West Coast sound. Sharply stretched The high tone and crying sound are reproduced as they are in the coil material of the broadcaster. Roy Buchanan, Robertson and Arlen Roth, a breathy old Tele dedicated to Albert Lee It's a sound. High response pickup that meets a wide range of needs such as rock, blues, soul, and country. It is a masterpiece pickup that represents a single coil.

TE Hot: Straight and crystal, yet powerful TE Hot boasts exquisite sound quality of Le & Exciting. Thorough analysis of the original coil material, The results of research and development are gathered here, and a high quality pickup that expresses 100% of the guitarist's sensibility is completed. I made it. The sound created by the best matching with the perfect swordwear truly represents the world of wonder. It's a Tele sound.

Control Circuit: Have you ever noticed by playing the Tokai TE series? It should be completely different from the copy model of. Smooth response of volume, crisp without muffled even if the sound is reduced. The range and depth of expression, such as the sound, is truly diverse. The key, that is, when the secret is disclosed, is as follows. First of all, the curve characteristics of the volume, all TE series are A curve, that is also IM. Just a copy. When it comes to guitars, you can change the B-curve from 250KS to 500KS as originally done, but the human ear I dared to adopt the A curve because of the characteristics of the above, that is, the problem of hearing. In other words, the A curve is better than the B curve. It sounds like the function of the volume changes more linearly and smoothly, and it is a guitar that makes full use of the violin playing method. I used IMQ for the strike. 1000PF so that the sound will not be muffled even if the volume is lowered further The capacitor effect is produced by the capacitor. A normal tone condenser is 0.047MF. The TE series policy is where the range of expression is further expanded while making the best use of the nuances of the original.

The original bridge and tailpiece bridge is 3 way, but the TE series is Tokai's original 6-way. This is already I want you to catch it purely as a musical problem. TE that can adjust the string height and pitch of 6 strings individually It goes without saying that the series can adjust the pitch more accurately than the 3-way type. Also, the string height of each string Since it can be adjusted freely, you can get the tension that suits your style. Functional aspect as a musical instrument Don't you think it's excellent even if you catch it from? TE50 / 55/70 is a steel bridge type OTE80-85 The brass type, the string height adjustment screw, and the pitch adjustment screw are heavy duty black das. It's Yip. The tailpiece is an L-shaped Tokai original and firmly supports these 6 bridges.

Special Spec Old Parts: All parts are old type strap buttons, control plates, pickers Do, string guide ... all according to the original material that does not match the type with other copy models Special spec parts. In particular, the jack holder is installed in exactly the same way as the original from the 381 new spec. Adopted law and material. TE series that is a perfect replica of everything from the body to the parts to the sound Zu. Another old guitar enthusiast's chest squirrel series was born
 
Note the image of Clarence White and the "Bender" Breezy/tele. :eek:

Nice touch with the Budweiser glass vase for the ferns. :lol:

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Another "Bender" shown from the rear without the back cover in the last image...

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ST Diagrams:

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Head stock (ST Vintage model) * 54 Perfect head stock for all Strats re-emergence. The logo mark is also painted with skill.

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Head stock (ST Oldy model) New Face ST'64 Strat's head stock. Excellent peg head String Guide is parallel 2-way type.

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Neck Shape 1 Original and Old "V" Shape only for Tokai (adopted for ST80 and above) Poetry of playability in the group, Super Shake of acclaimed Promusinyan °

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Neck Shape 2. Oldy "U" Shape neck is also rounded smooth finger work, amazing tinic from Hi Shay 70

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String Guide ST Vintage Model Old Round. String Guide ST Oldy Model Parallel 2-Way String Guide.

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Rosewood (ST Oldy model) ST'64 Oldy model fingerboard adopted for all models. High accuracy, good sound characteristics and skill group Is also outstanding.

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Rosewood fingerboard. Note that some D-27 rat fingerboard frets from 260 to 2 years are cut directly.

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● Body (front view) Perfect replica body The pickup hole that has been cut by the old Strat and the great ancestor is also complete.

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Body (Rear View) Old Don Eped Waist Cut Body NCIL-Tar Like High Rice Altitude Veneer Kezurizashi Body

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Neck joint part Tokai's protection 3 It is not inferior to the neck join of the tube industry and the set neck-Ectojoy Shizuka

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Neck back / ST Vintage model's neck back brown stripe is an ilby sneck that runs through the center. ST Oldy model has a different method of preparing tiger slots. It's Lunek
 
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● Tokai Kluson type High-precision peg.
Bushing type that is comparable to Matic is TOKAI only for the original and Tokai.

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● Old Sound Tension.
Pay attention to this curve line. It is exactly the same as the old. The string guide is also in the same position.

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* String post.
Tokai ST. Note to the tension angle.
Other companies' does not produce that old Strat sound.

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Pickup (ST Vintage)
ST Vintage (ST60 or above, mounted on all models)
Dry sound of the '54 Strat. The same coil material as Strat P.U.

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● Pickup (ST hot)
Pick up cover also began with this color wall.
Powerful pickup.
ST hot (ST45.50.55).

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Pickguard panel.
Adjust part
Same PG model as the Original.

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Press bridge.
Bridge is a perfect reproduction.
'54 Press bridge of the same material as Strat.

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Tremolo block.
Tokai tremolo block. Screw holes are independent. (Above)
Other companies' tremolo block. (Below)

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Selector switch .
3-position
High-precision switch.
Gripping sound, complete noise expulsion.

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●Tale of the circuit
Outstanding long lasting circuit.
The first brass shield plates made in Japan.
 
"PB80 has added a number minor changes and finally revived as a perfect old replica model. Newly developed old type pegs, spiral bridge, alder body, silver type logo, etc. are perfect in detail. It perfectly reproduces the old-fashioned feeling from the '50s to the '60s. The high-grade sound with hidden energy is not only dynamic, but also vividly expresses the subtle tone nuances of the bassist. It is a masterpiece model of the PB series."

1981 Flat top catalog
 

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Introducing the JB series, a new face with an attractive neck.

This is an oldies model with a rosewood fingerboard and a laminate maple neck from Superview, which has been explosively popular since its release as the second Tokai Electric Bass. Here we will reveal its appeal and the results of a thorough analysis. A perfect replica of the '64JB model, including the headstock, shape and design. The Tokai logo is a decal type and is applied using the same special method as the original after painting, making it very different from the average copy model. The jazz sound naming is really good, and of course the strap button on the back of the head is attached to the same position as the old one. The outstanding peg head feeling of the old Kluson type with the onion peg is quick and monopolizes the topic and popularity of MOSUPER bassists.

Neck: All models are maple necks with rose fingerboard laminate, which is the same spec as the original '64JB model. In addition, it goes without saying that the JB series has a slim narrow neck, which is the most distinctive feature, and the old U-shape nigiri shape provides outstanding fingering playability. The Rose fingerboard is made of the same material as the Pre-CBS Traditional JB model. The outstanding characteristics and precision are the same as the rose cow pattern neck of all Tokai series.

The Fletching Pro model boasts perfect fletching that fully meets the demands of all playing styles, including chopper playing and harmonic playing. The edge treatment, fret filing, etc., are all carefully finished by craftsmen with the utmost care and the highest level of skill. The content is truly worthy of being called a super neck.

Fretless Neck - There are two types of fretless necks in the JB series.

①Fretless neck with Jacaranda fingerboard: First of all, it's a normal fretless neck with JB120FL's Jacaranda fingerboard, and it has a sticky jersey sound with Jacaranda's fingerboard and fretless. Its almost limitless expressive power goes beyond the realm of electric bass and approaches the world of acoustic bass.

② Mizokiri fretless neck: And, thank you for waiting, this is a special fretless neck made of the same materials and specifications as the Jaco Pastorius model. A special specification exclusive to Tokai, in which completely adhered black cells are embedded in the grooves using a special strong adhesive, and exhibit outstanding effects both in terms of strength and acoustics. With this neck, we want you to approach and surpass Jaco Pastorius, the genius of contemporary music.

Body: All types of bodies are made from a single ply of alder. (However, the JB120 also has a Senpei veneer veneer body.) I've said this before, but the genius of the NC router is demonstrated here as well, creating a completely fringe body. It is a perfect replica of the original JB body, with an offset shaped waist cut body, pickup hole processing, etc., without even a 1mm deviation. The neck joint has a splendid finish that rivals the already well-established set neck, and the use of the same alder material as the 64B produced the perfect old JB sound for the first time in Japan. The shocking original feeling that penetrates your heart as soon as you cut the guitar in half is a characteristic of Tokai's E guitars and basses, which have achieved perfect replicas in all series that make them the king of old models. Why not make these hot models that are about to surpass the originals with your own hands?

Finish: JB series with outstanding old coloring unique to the alder body. JB45, 60, and 65N have a polyurethane finish, and JB80, 85N, and 85 FL-90R have an old lacquer finish. B120 and 120FL have a cashew finish and the best finish. Available in 6 colors including YS, BB, OW, BL, N, and MR.

Pegs: The peg is an old Krewson type reverse-wound peg developed especially for the B series.It is strange because even a small headstock with an old-fashioned feel such as buttons and bearing plates can be tightened with just one peg. . Of course, it has excellent operability and is also more accurate than the original. Mounts on all JB60 and above models and has an outstanding feel. In addition, the TB45 uses a 3-point fixing plate type peg with torque adjustment, and is a normal winding specification for middle class players.

Pickups: There are two types of double pole piece pickups that boast a variety of sound colors. They are competing for unique sound characters.

JB Vintage: Adopts the same coil material as the 64 original JB, and winds the coil directly around a fiber bobbin magnet with a double pole piece set, perfectly reproducing the tight and dry JB sound characteristic of the old JB. The JB model's unique 2-pickup humbucking system boasts a variety of tonal colors, from dynamic sounds to straight single-coil sounds. This is a professional-oriented pickup that can be said to be the definitive version of the old JB sound.

JB Super: High quality pickup for any music genre JB Super. It responds sharply to overwhelming power and subtle tonal nuances. This is a unique pickup that represents single coil pickups for electric basses. Almighty active on stage and live.

Pickguard: A tortoiseshell-type pickguard with a bright tortoiseshell color that was characteristic of the 1960s. Since the pickup is mounted directly to the body, it can be easily removed. You can enjoy it even more with the optional pickguard.

Bridge & Tailpiece: Introducing the spiral bridge. This is natural if you want to copy the old one. Two types of spiral bridges are also available.

①Brass spiral bridge: No one would think this is brass at first glance. In short, it's brass with a nickel finish. This can be called a hidden aesthetic, and the tailpiece and bridge are made of genuine brass with long sustain and durability. And the screw for adjusting the string height is exactly the same as the old one (JB80 or higher).

②Steel Spiral Bridge: This is a steel nickel-finished bridge and teeth piece made of the same material as the original. Not only do they have an old feel, but they also provide solid support for strings of any gauge. It reliably transmits string vibrations to the body, helping to improve sustain.

Control circuit: The control circuit section is also very important for the sound. It has perfect specifications in terms of shielding and wiring, and forms a control rack that will remain stable over a long period of time. In particular, the JB120 uses a solid type volume and oil condenser to achieve high control performance.

Special spec old parts: All JB series parts are special spec old parts.The control plate is made of the same material as the original and finished with 1.6mm thick nickel. The volume and tone knobs are also made of black resin and come in two sizes: large and small. The finger rest that can be attached as an accessory is made of rosewood (JB80 or above) and is a perfect replica of the original, even down to the screws. A thorough production policy that does not overlook even the smallest parts allows you to take an old guitar from your hands in the true sense of the word. The serial number engraved on the neck plate is the history of the Tokai JB series
 

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●Neck: The neck of the PB series has also been reborn into 3 types from 8 to 3 types. There are three types: (57PB vintage model), (64PB old model) and (modern PB model). The attractive specifications are as follows.

'57PB Vintage model: Old type neck that is a perfect replica of the original '57PB. The same silver type logo as the TE series, old Kluson type reverse port pegs, and special old lacquer finish give it the feel of a vintage model. This is a new face that was only used in two types: PB80 and 85N. We want you to experience the feel of the peg head of a complete replica made for the first time in Japan. Since it's an original '57 model, it naturally has a maple neck. The logo is also a decal type and is pasted on top of the paint.

'64PB Oldie Model: This is an old neck that perfectly reproduces the feel of the 64 original PB, with a maple neck with a laminated rose fingerboard compared to the previous maple peace neck. All specifications are the same as the previous '57 vintage model, except for the rose fingerboard neck. This is a special specification unique to Tokai, which manufactures perfect replica models that match the history, and corresponds to the rose fingerboard neck of the PB80 and B5N. Of course, it uses a rounded fingerboard as well as a rose fingerboard.

Have you completely understood the historical fingerboard structure of traditional models?...If you check again,
① All models in the 1950s had only maple peace necks.
② From 1960 to 1962, it was a maple neck with a flat rosewood fingerboard.
③ From 63 onwards, it was a maple neck with a rounded rosewood fingerboard.

In short, remember that maple/peace necks are from the 1950s, and rose fingerboard necks with a low fretboard laminated to maple necks are from the 60s. (Also, keep in mind that there are extremely rare necks with maple fingerboards made in the 1960s, but they are not one-piece but have a glued fingerboard.)

Modern PB model: This is the neck of the PB40-48, 60, and 65N. This is a new type of neck that is a perfect copy of the modern PB model neck from 1965 onwards. Starting with this model, there are two types of necks: maple 1 piece and rose fingerboard necks. See SPEC table for detailed specifications. The big gold logo and Hard Puncher name give it a peghead feel suitable for developing an aggressive sound.

Fletching and more: Fletching is also perfect. Needless to say, the NC router is also used in the grooves of the frets. One by one, precisely rounded grooves are cut, and the frets are hammered in by the craftsman with great care. And the filed neck shows the perfect finish. The neck shape is also ideal, and the old U shape is suitable for PB80 and 85N. The PB40-48, 60, and 65N each use a modern U shape, and the super shape nut is highly praised by professional musicians for its outstanding playability.

The nut is made from cow bone, and is completely handmade with plenty of time spent on finishing. The position of the nut grooves is extremely accurate in relation to the bridge, pole pieces, and playability, and the depth and width are perfect even against vibrations.

Body: All PB series have a straight body. Each series demonstrates its outstanding mechanical power, and the NC router, which is a hot topic among guitar kids, produces perfect and sophisticated D. Offset shaped waist cut body, neck joint, pickup hole processing, etc., are perfected by computer control that boasts unparalleled precision and the delicate nerves of craftsmen. The perfect combination of modern engineering and hands. It's a body. Finally, we adopted the same material, alder wood (PB80/85N). Reproduces a tight, oldie PB sound. Other models also use selected bodies made by Senzai O. Tokai, which continues to make unique and striking guitars and basses, is the definitive replica model dedicated to professional musicians and old guitar enthusiasts.

Pegs: There are 3 types of pegs. 3-point fixing plate for PB40/48, original 4-point fixing plate type fender type for PB60/65N. Both are top-of-the-line pegs with torque adjustment. Even delicate tuning is reliable, and it is an outstanding design and use. Finally, the PB80, 85 N uses the old Kluson type reverse winding peg, and the small type peg button has a 4-point plate. We have completed a high-precision peg that exactly conveys the feeling of the original 57PB.

Pickguard: There are 3 types of pickguards to suit the individuality of each model. The '57PB vintage model with the PB80/85N maple peace neck is equipped with an aluminum hairline finish pickguard panel. This was the biggest feature of the '57 model PB, and the aluminum pick panel itself was also a shield panel, completely shutting out external hum. However, Traditional Fender discontinued production after only one year in 1957. Although aluminum has excellent properties, it has the disadvantage of being extremely susceptible to rust. Therefore, the project team came up with the idea of applying a rust-proofing treatment to take advantage of the feel of the original design and the characteristics of aluminum, and completed an even better pickguard panel. The PB80/85N 164PB oldie model with a rosewood fingerboard features a tortoiseshell-type pickguard panel that conveys the feel of an old guitar, and the bright tortoise shell color is particularly impressive. Additionally, four models, PB40-48-60-65N, feature a black 3-ply pickguard panel. External hum is also shut out with the brass shield plate inside the panel. A heavy-duty panel that enhances the simple body design.

Pickups: Introducing a pickup that creates the tight and powerful sound of the PB sound, which can be said to be the representative sound of electric basses. The pickup is literally the heart of the bass, and when a pickup with excellent performance works in perfect combination with the body, the expressive power of the PB model becomes limitless.

The PB series has three types of pickups: PB Vintage for the PB80, 85N, 60, and 65, PB Super for the PB 48, and PB Dynamic for the PB40, all of which use newly developed split-type glucoil pickups that are full of individuality. are doing. Split-type pickups are basically single-coil pickups, but they are revolutionary pickups that create a humbucking effect by combining two. In particular, it uses the same coil material as the PB Vintage '57PB, and the magnet, coil wire, etc. all reproduce the old sound. Special specification. The tight PB sound that suppresses the power is a big attraction. PB Super & PB Dynamic features powerful, dynamic, heavy sounds based on modern PB sounds. Although it is a high-cost performance pickup, it has deep bass and aggressive sound, making it a true "hard puncher." No matter which type you choose, the bass player's musical needs will be met 100%.

Control circuit: The control circuit is equipped with a brass shield plate for all models. Adopted. Demonstrates a stable shielding effect over a long period of time. Also, there is no need to solder the ground wiring directly to the cover of the variable resistor, and Tokai's friendly design improves maintenance. One base is your base. Since it expresses the entire world, avoid the easy brand preference and start by researching slowly. (The aluminum pickguard panel itself has an excellent shielding effect, so there is no brass shield plate.)

Tailpiece & Bridge: There are also 3 types of tailpieces. PB80・The 85N has the same spiral bridge as the old one, and although it is invisible to the brass eye, it is an original pan that is unique to Fender and has the highest specs and greatly improved long sustain. The PB60-65N has the normal specification. Brass bridge, PB40 and PB48 have steel nickel-finished bridge and tailpiece.

Special spec parts: All PB series parts have special specs that cannot be duplicated from others.Even down to a single screw. The attention to detail creates a perfect replica model.It's a small thing, but this is the destiny and charm of the Old Model King...
 

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