jacco
Well-known member
Ah yeah, so what's wrong with it?
jacco said:Ah yeah, so what's wrong with it?
Koubayashi said:Horrible gaps on each side of the neck.
Koubayashi said:I always thougt these had a lot of "string" in the sound.
Koubayashi said:Too bad I was too naive and believed in the hype before otherwise I would have had hundreds and hundreds of pics of terrible craftmanship.
jacco said:Still don't have your definition of a good tenon though.
Koubayashi said:jacco said:Still don't have your definition of a good tenon though.
Wood against wood!
A 2mm layer of glue between two wood pieces surely must affect the tone.
jacco said:Koubayashi said:jacco said:Still don't have your definition of a good tenon though.
Wood against wood!
A 2mm layer of glue between two wood pieces surely must affect the tone.
He he. There's a guy in Germany that does Historic makeovers (resetting necks) and apparantly the biggest improvement in tone is the use of hide glue. So I would say glue is an important part of tone, wouldn't you? :wink:
And: how much wood against wood, where, etc?
jacco said:Fredrik, Florian J?ger, is a luthier too. And a very highly regarded one.
He does resetting necks of G****n Historics for they were not done properly. What makes that his opinion is worth nothing to you?
jacco said:I don't agree; also interesting would be what he thinks of the influence of glue.
jacco said:I don't think you can pull these factors apart in this case. I think that first the importance of glue regarding tone must be determined before we can go any further.
jacco said:Which one do you mean?
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